Again, he is a man with an African stature that commands respect from the people and senators of Venice since he is described as tall and dark. In addition, his demonstration of confident reaction especially when Barbantio accuses him of engaging in witchcraft activities is proof that he is the hero of the land as defined by Aristotle. This statement shows that he receives a lot of respect from other leaders and thus can be considered a tragic hero. In fact, one member of the sitting senators exclaims, “here comes the Barantio and the Valiant Moor (Shakespeare and Opzoomer Act 1 Scene 3). For instance, the treatment he gets from the senators is special such as the time when he enters a room where leaders are discussing the state matters. He commands nobility, is confident, and very strong besides being highly respected by people of the Venice State. In the play, Othello is a Moor from Africa of noble birth who serves at the highest rank in the military as the Cyprus Governor-General. For one to qualify he must possess qualities such as being a person of a high state, face downfall and become unhappy, and his downfall must be contributed by his tragic flaws (Kennedy & Gioia, 856). Othello who is a Moor completely fits the definition given by Aristotle of a tragic hero. Othello is a tragic hero since he is a respected man at the begging enjoying power and honor but later faces downfall when he murders his wife suspecting her of being unfaithful. By using the criteria suggested by Aristotle, it is possible to determine whether Othello, the Moor acts as a tragic hero or not. A tragic hero according to the Greek Philosopher, Aristotle, must be a person occupying a prestigious estate, Prince, or nobleman, possess a tragic flaw besides having some judgmental skills, and falls from a high state to a low one (Dewar‐Watson 12). “Othello, the Moor of Venice" can be considered as a Shakespeare's tragedy in which Othello serves as the tragic hero according to Aristotle.
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